Chamber Ensemble

Bitter Shroud of Gelid Snow (2025) - for soprano and double bass (5’)

Crudely Gilded, Brutally Adorned (2024) - for oboe, alto saxophone, bassoon, harp, electric guitar, and violin (5’)

Fallen Elm (2024) - for tenor voice, clarinet, viola, trumpet, and trombone (5’)

Barbed Gossamer (2024) - for flute, bass clarinet, accordion, piano, violin, viola, and cello (9’)

Axis of Asymmetry (2023)- duo for one baroque violin and one modern violin (6’)

Shadow Studies (2023) - for flute, bass clarinet, violin, cello, piano, and percussion (7’)

Nebula(e) (2022) - for two flutes (3’)

Heiligenstadt (2022) - for french horn and piano (7’)

Mycelial Sentience (2022) - for piano trio (8’)

Déjà Rêvé (2021) - for string quartet (15’)

Three Pieces After Abstract Expressionists (2021) - for flute(s), oboe(s), bassoon, violin, cello, piano, and percussion (19’)

Thalassa (2021) - for flute, english horn, cello, piano, solo soprano and bass, and water glasses (7’)

An Elusive Fog (2019) - for flute(s), violin, cello, and piano (7’) 2019